Well, things are moving slightly, which is exciting.
Bing & Moo stage play is back from my friend's friend's Dad (bless him), with some lovely comments and great feedback. Just waiting for a luvy in Australia, then I'm on to my 2nd cousin twice removed (in theatre, darling). This networking business is convoluted, and I'm going to end up owing lots of people drinks even if I get nothing made... still, drinking's never something I've shied from!
After that, it's on to Hampstead theatre (well, after some re-writes). In itself, that process takes months, but they are brilliant for UK writers (there are many other London theatres that do similar, so I'll keep them in reserve).
Got a new writing agreement in, which is exciting. On the back of Collider, with a US Prod Co who likes my work! Yay, positive feedback!
ALSO got the collaboration agreement for the comedy, and that story is slowly taking shape.
Presently though, I'm obsessed with Sequestration Manor. I've had a huge dilemma on whether it should be a horror (which is my inclination) or a drama (which is where the characters want to go). I've decided to outline 2 versions, one for each, and see which works. I've got a new writing buddy to help with this too, which is great. She's got huge talent, so I'll enjoy going through her script as well as welcoming her feedback.
All good stuff! FOUR exciting writing projects on the go at once, which rocks! IT is getting in the way because there's so much to write, but I must remember that the mortgage won't respect my artistic sensiblities and just leave me in peace
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